Friday, November 14, 2008

American Photography Party in NYC



American Photography 24, the annual juried anthology had their party last night. Nah...I couldn't go...I had to take my kids out to a picnic in the redwoods of Marin while my wife went to Thursday night meditation class. Good bud Jonathan Saunders snapped an i phone shot while in attendance and sent it to me in real time...so as I'm in the redwoods I get the shot and it's almost like I am there! Well...not exactly. Blue Nailpolish, 2007, an early image from Echolilia made it into the book and up on the walls of the show. See all the work from American Photography 24 HERE.

Thursday, November 13, 2008

Magic Wand With Constellation



































Magic Wand, 2008 ( top )
Magic Wand With Prescription Constellation, 2008 ( bottom )

Tuesday, November 11, 2008

Optic Blast

















It had been a grim week: there was the sugar high of the election followed by the harsh realities of the terrible economy and massive lay offs in the publishing industry. I'm escapist by nature, but every time I picked up the phone some photographer friend had something terrible to report. The mix of art and commerce that exists with commercial photography can so often leave a bad taste in one's mouth. Sometimes you wish you never tried to combine the two. But you did try and they behaved like oil and water: they are mixed together, they stand on their own, but you can never separate them.
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Friday night the domestic gods smiled and let me escape to Object Agency, the Southern Exposure open house event put on by artists-in-residence Kamau Patton and Suzy Poling. Poling is a bud and she warned me this evening would be something...um...unprecedented: Archibald, please try to be there and please have your camera...this is going to be a freak out.















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What did transpire was the antidote to the week's darkness: there is nothing as liberating as witnessing artists explore before your eyes and deliver the goods live. It is the art for art's sake, the stuff that is far away from commercial concerns, that can clean your slate and leave you inspired. One could sit there in the audience and take it all in, transported to a place where the previously mentioned oil and water were never combined.












all images from Object Agency by Patton and Poling at Southern Exposure, San Francisco, CA

Saturday, November 8, 2008

Note On A Saturday

Of course it's exploitative. Although many believe it to be true, exploiting something, or someone, isn't always a bad thing.- I. N. Galbraith, 11/8/08

Got this interesting note, above, in response to Q + A With Myself Again and it really made me think. No conclusions, but I liked where it was going. Photographers always seem to be ready to defend themselves against the accusation of exploitation. What if it isn't really such a bad thing? What if an artist embraces it?

You'll be graded on participation. Any thoughts? Who is embracing it these days? Roger Ballen? Shelby Lee Adams? Les Krims? Witkin? What does it really mean to exploit something...and is it always bad?

Thursday, November 6, 2008

Last Halloween Post Ever







Above: Wax Vampire Lips and Teeth, 2008
Below: A Witch and A Bat Ring The Doorbell, 2008

Monday, November 3, 2008


Used Car Dealership, El Sobrante, CA