tag:blogger.com,1999:blog-2125625679268015136.post1925098105997075707..comments2024-03-20T00:20:43.671-07:00Comments on T.A.: Afraid To Title This PostTimothy Archibaldhttp://www.blogger.com/profile/16098072127684110673noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-2125625679268015136.post-61686773561571063162009-05-19T10:53:00.000-07:002009-05-19T10:53:00.000-07:00I would have to grab onto Bird's shirt tail here a...I would have to grab onto Bird's shirt tail here as he travels into the dark. The decision is purely subjective. The subject wont know the difference. Does digital compensate for lack of preparation or technical knowledge? Does a lucius negative make up for a poorly lit concept? Do you arm yourself with a shotgun or a rifle? End result if used effectively is the same. I know Timothy is cringing that this post would steer towards technical discussion. So we can just ask if we would have loved the image of Echolilia in the container anymore or less if it involved chemicals?Sirfennhttp://www.shaunfenn.comnoreply@blogger.comtag:blogger.com,1999:blog-2125625679268015136.post-80289411023131785132009-05-18T11:56:00.000-07:002009-05-18T11:56:00.000-07:00really? film can affect quality of light? hmm... ...really? film can affect quality of light? hmm... not so sure about that one.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2125625679268015136.post-34564015540775427212009-05-18T02:53:00.000-07:002009-05-18T02:53:00.000-07:00I hear you with the different sensations and diffe...I hear you with the different sensations and different ideas brought up with film vs digital. I find when I shoot film it creates a much more 'filmic' quality, as in movie film. Much more so when I shoot on slide, which is great if that's what I'm going for. When I shoot digital it seems to be much more abrubt. It's the same with movies and TV, the work shot on digital has a more in-your-face and immediate feel to it, with different colour and light quality, whereas the work shot on celluloid has more depth and can be more dreamy.<br /><br />OK, so neither one is better than the other, personally I think they are different mediums and can be treated as such with our work. They bring up different readings from the viewer, so it's an important question you ask.<br /><br />Whether it is real or some large collective lie, the result is the same. I think you've got the right idea and your final sentence suggests the way forward.Zoehttps://www.blogger.com/profile/12659595329256630370noreply@blogger.comtag:blogger.com,1999:blog-2125625679268015136.post-24006026199302784172009-05-17T23:57:00.000-07:002009-05-17T23:57:00.000-07:00I don't think it is a large collective you are ima...I don't think it is a large collective you are imagining, though I will say I think that digital can be just as nostalgic and friendly, and film can be just as hectic. it has to do with the process, for me. when it is digital, it is just so easy to push it to those limits, LET it, in a sense, push the envelope and become stressed... whereas film, to make those choices and distinctions, unless you want to do it digitally in post process, you need to decide those things beforehand, what film, what speed, etc etc etc.<br /><br />maybe it is you and not the tool. are you more careful and subsciously creating pictures you like more when it matters because it is on film? i know i am lots more careful when film is involved.Alisha Stamperhttps://www.blogger.com/profile/10644959334138358441noreply@blogger.comtag:blogger.com,1999:blog-2125625679268015136.post-35243395790539362142009-05-17T23:55:00.000-07:002009-05-17T23:55:00.000-07:00Cameras, films, formats, scanners (eh hem)... they...Cameras, films, formats, scanners (eh hem)... they are all just tools. Part of the process. One isn't better than another, necessarily. They all do different things, and if they get the job done, and convey the feeling you're looking for in the end, what's so bad? Michelle Laurita shoots big ass 20x24 polaroids for the tones. (Sidenote, Jim Erickson has turned in 4x5 polaroids to clients as the final shot.. sure, the quality as we know it wasn't there, but it conveyed the feeling, captured the moment-- whatever). The tool didn't hinder the artist in both cases, mind you, and in Michelle's case, well, it's what makes her pictures so damn cool (okay, so she shoots 8x10, too, but that's another story). <br /><br />I'm not too sure where I'm going with this one (it's late, and this bird has been flapping it's wings in the heat all day), but I will say this: When people look at Echolilia, they aren't going to judge you by the camera you used, or the car you drove to arrive to yesterdays photoshoot. They are going to judge you on what your project says, how it feels, and in the case of the car, well, did you get to the photoshoot? In both cases do you arrive at your destination? Sure. Whether you drove a Caddy or a Pinto doesn't matter... It's whether or not you were able to get to where you were going that's important.<br /><br />I don't know if any of this was in the least bit relevant to what you posted, but my delirium will lead me to believe that it is, so I shall press "Publish," and go to sleep. <br /><br />chirp.bird.noreply@blogger.com